Skagit River Journal |
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of History & Folklore Covering from British Columbia to Puget Sound. Washington counties covered: Skagit, Whatcom, Island, San Juan, Snohomish, focusing on Sedro-Woolley and Skagit Valley. This page originated in our Optional Subscribers Magazine An evolving history dedicated to committing random acts of historical kindness The home pages remain free of any charge. We need donations or subscriptions to continue. Please pass on this website link to your family, relatives, friends and clients. |
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"This is Beyer's Downing. He sits 61" tall, 23½", wide, 43" deep. He sits on a black painted Styrofoam "rock". The wood tablet is separate and sets in his left hand. He used to have a wood carved "writing/drawing device" in his right hand which is no longer around. Articles in The Confluence, Vol. 5, No. 1, Spring 1988, doesn't mention the Downing piece, but was part of the Coyote grouping. The layout of the exhibit shows the placement of Downing and the Coyote and Salmon. The stern of the bateau points at Downing. Downing sat by himself. Richard didn't think the wood sculptures would last very long. He thought they would crack and split beyond use. He didn't think they would be worth keeping once the exhibit ended. A few breaks did occur with the salmon and, if you look close, dowels can be spotted." |
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. . . faintly colored, fragile sketches that depicted people on the move in a vast but increasingly settled landscape. . . .That unfortunately is as much solid information we know about his genealogy.
Downing was born in England in 1848, and immigrated to the U.S. at the age of 24.
During all this time, Downing made sketches of the land around him, and each one relates a direct experience in the North Columbia country. He usually worked with a simple pen or pencil, sometimes on blue-lined paper torn from issued journals. He occasionally found time to add colored ink or wash portions of his art with watercolors. One small cartoon shows a bedraggled Downing wandering the Columbia shore below Rock Island Rapids, where he had dumped his boat and drifted downstream from his party. Carrying a red flag as a signal, he tries to communicate with a tribal member who has pulled over to help. The canoe is a classic Plateau dugout, slender and seaworthy; the vast expanse of lonely river north of Vantage stretches to a line of fine riparian on the opposite shore. Downing himself, stepping around what looks like a stubby willow, extends his watch as an offering in exchange for some much-needed food. Speech balloons show the combination of Salish or Chinook jargon and English that the two men use to come to an agreement.
Downing's sketch named "Examination of Upper Columbia River, 1882." Photo courtesy of William Layman |
Alfred Downing was no museum artist, and he never seemed to quite get beyond the first stage or two of finishing his field sketches. But he had an eye for detail, and a knack for capturing a moment on the fly. His work describes a real place, both familiar and very different from what we see with our own eyes, and that's makes it so valuable to us today.Years after he had first seen one of Downing's original works, Nisbet returned to the Northwest Room of the Spokane Library and marveled at how well the fragile sketches were stored and maintained in their home:
I must not have studied it long. I recall being surprised at how small the sketch was, and delighting in its soft colors. But as far as any title, subject, or details of landscape were concerned, I left them in the vault. Since that encounter with Alfred Downing in the Northwest Room, I have returned to his sketches every once in a while because, as it turns out, they provide accurate glimpses of the Interior Columbia landscape just before the rise of our modern towns. . . . The next afternoon I was back at the library, looking over her shoulder at a beautifully textured piece of linen paper glued to a piece of mat board; together, they showed 130 years worth of tatters, wrinkles, and smudge marks. The sketch is titled "Old Fort Colville W.T. August 1882," and glows like an ancient charm.Following the Pierce expedition, Downing in 1883 toured north-central Washington to prepare for the planned farewell visit of the Northwest by retiring General William Tecumseh Sherman. In 1884 Downing patrolled the Colville Reservation with the local Indian agent to select mill sites for the Moses tribe.
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The Region of the Upper Columbia As I Saw It," Downing's Self Portrait, 1877. Courtesy of William Layman. |
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I am the person who talked Rich Beyer into portraying Alfred Downing in cedar for the children's exhibit I curated in the 1980s. Downing is a fascinating figure; as you may know he accompanied Lt. Symons on a Reconnaissance of the Upper Columbia in 1881, sketching the first accurate maps of the various rapids and features of the river in a brief 8-day run as well as contributing several sketches of his trip.[Return]
Later in 1885 he wrote an account of a rather harrowing experience he had after suffering from heat stroke crossing the Columbia Basin. He took a nap in a boat at Chelan Falls; the boat had no oars and he woke up drifting down the river in a rather helpless state. His boat capsized in Rock Island rapids where he was pulled from the river by an Indian and eventually he rejoined Symons near present day Tri-Cities. His account survived and Mike Lynch published an illustrated account with Ye Galleon press. He later in 1891 completed a much more detailed survey of the Columbia from the International Boundary to Rock Island rapids that is a marvel of cartographic recording.
In building the exhibit, I asked Beyer to do another piece illustrating a myth of the Columbia and he volunteered to throw in a rendition of Downing in cedar. The museum still has it. I have a photograph of it but not a very good one as he is silhouetted. The museum still has the sculpture. here is another illustration done by downing showing him running Rock Island rapids which was published in a New York paper. We exhibited a copy of it as the illustration is held by a private party.
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